 Исполнитель: Michelle Wilson Альбом: Tryin' To Make A Little Love Год выпуска: 1999 Стиль: Blues Формат: mp3 Битрейт: 320 Время звучания: 53:42 Размер файла: 120 mb ======================================== Tracklist: 01. Tryin' to Make a Little Love Osborne, Tiven, Tiven 02. Ay la Bas 03. Life Rolls On Oldham, Penn 04. I Would Rather Do Without It Limina, Willson 05. Each Day 06. Half Past the Blues Egan, Flett 07. Responsibility Pomus, Rebennack 08. Bring It Home to Me 09. Shifting Sand Limina, Willson 10. Someday Hidalgo, Perez 11. Corazon de Hielo Williams, Willson 12. Guess You Didn't Love Me Enough Lindsey, Penn, Whitsett 13. In the Driver's Seat Otis ======================================== Members: Michelle Wilson - vocal Cranston Clements - guitar Dave Limina - keyboards Scott Shetler - sax Charlie Miller - trumpet James Singleton - bass Johnny Vidacovich - drums ==================================================================[spoyler= Michelle Wilson - Tryin' To Make A Little Love] ... Her bright, brassy vocals lack the subtlety to explore the emotional crevices of midtempo ballads from ace tunesmiths like Dan Penn and Doc Pomus, but her clarion lower register transforms "Someday" (by David Hidalgo and Louie Perez of Los Lobos) into a riveting gospel torch song. Good-time renditions of hard-luck narratives remain Willson's forte, however: when she's telling tales like "Half Past the Blues" and "In the Driver's Seat," her blue-collar panache encompasses both the campy theatrics of Bette Midler and the soulful integrity of Bonnie Raitt. - amazon.com ...The uptempo jump blues romp "Bring It Home to Me" seems tailor made for the nouveau swing set while her powerfully moving rendition of the Doc Pomus-Mac Rebennack gospel-funk ballad "Responsibility" places Michelle squarely in Aretha territory. Wilson plays the hipster on a jivey "Half Past the Blues" and on Johnny Otis' "In the Driver's Seat" then turns around gets intimate and all "sincere" on the countrified, Tammy Wynette-ish ballad "Life Rolls On." Her version of Joan Osborne's title cut is a stone rumba-boogie in the great tradition of Professor Longhair, Allen Toussaint and that whole lineage of great Crescent City ivory ticklers... - Bill Milkowski jazztime.com
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