Kentucky Blues Society Nominee "Five Moons" has made the final cut to the Top 5 International Blues Foundation "Best Self-Produced Blues-Rock CD 2007" Winner will be announced Feb. 2 at the awards in Memphis!...
    "5 Moons," in some ways, marks the beginning of a new chapter for the Beat Daddys. Grisham has recently relocated to Nashville, where he hopes to find a market for his songs -- and a bass player whose schedule matches the Beat Daddys' touring needs...
   After playing the blues for over 30 years together, The Beat Daddys signed with Jackson, Mississippi-based Malaco/Waldoxy Records. Their debut album "No, We Ain’t From Clarksdale”, propelled the Indiana band into the national spotlight. The release featured not only the band’s strong songwriting talents, but also showed the diversity of their musical tastes, ranging from full throttle blues-rock to haunting ballads.
    In reviewing the album, Spin Magazine wrote, "It feels like Johnny Winter and Carl Perkins meet Bob Seger and Mitch Ryder.” Grisham also had the opportunity to work with songwriting legend Carl Jackson, who penned "Down Home Blues” for Z. Z. Hill and "Old Time Rock and Roll” for Bob Seger, among many other...

"Grisham’s resonant growl, coupled with the expert slide guitar of Britt Meacham, is sure to satisfy… soulful vocals capturing the pain and wonder…..driving electric guitar…! ”
Elizabeth Goetz, Blues Access Magazine

"A smokin’ four piece band. Singer, harp player Larry Grisham, originally from Indiana, has got a great sound! Don’t take my word for it - check these guys out for yourself! Our Blues Breaker Hit of the Week!”
Elwood Blues (Dan Aykroyd) HOUSE OF BLUES Radio Show

"The Daddys aren’t as well-known as some of their Southern blues/rock contemporaries, but I prefer the music of these veterans, who, if this is any measure, put on a hell of a live show.” Blues Access Magazine

"Grisham’s ability to emotionally deliver the goods will be appreciated by fans… guitarist Meacham provides tasteful, Claptonesque work throughout …… the Beat Daddys rock the house”   John Holcomb, Amplifier Magazine

"…witty lyrics, terrific guitar sounds… a fine collection of songs played by great musicians” Northwest Florida Blues Society

"…serious rock leanings….Best cut: Train in the Distance, for it’s cool snare intro and heavy-duty slide work”  Ed Ivey, Blues Revue Magazine