 Исполнитель: Ann Rabson Альбом: Music Makin' Mama Год выпуска: 1997 Стиль: Blues Формат: mp3 \ flac (image, cue, log) Битрейт: 320 \ lossless Время звучания: 59:37 Размер: 136 mb \ 326 mb ======================================== Tracklist: 01. Baby, Every Once in a While Smith 3:47 02. Givin' It Away Davenport 4:00 03. No Later On Brown 4:11 04. One Meatball Singer, Zaret 3:40 05. Snatchin' and Grabbin' Rose, Scrivner 3:29 06. Gonna Stop You from Giving You the Blues Clements, Henry 4:45 07. He's Got Me Goin' Gray 4:18 08. Music Makin' Mama Rabson 3:15 09. Another You Foster, Greenlee 4:14 10. What I Don't See Can't Hurt Me Smith, Zox 3:44 11. Serial Love Rabson 3:31 12. Ain't That a Shame Broonzy 3:27 13. Hallelujah, I Just Love Him So Charles 3:01 14. Skin and Bones Sykes 3:48 15. I Haven't Got a Clue Rabson 3:25 16. Blue Boogie Rabson 3:05 ================================================================ [spoyler= Ann Rabson - Music Makin' Mama] Born in New York City in 1945, Rabson grew up in Ohio and started tuning into blues and jazz at a very early age. She picked up guitar at 17, and within a year was playing solo gigs and honing a repertoire inspired by the likes of Memphis Minnie, Bessie Smith, Tampa Red, and Leroy Carr. In 1971, Rabson moved to Fredericksburg, VA, where she devoted the next seven years to playing music full-time. Though she eventually went back to working a day job (as a computer programmer), Rabson continued to perform and teach guitar lessons through the '80s. Incidentally, it was playing music part-time that allowed Rabson the chance to study piano -- in particular, the boogie-woogie styles of Jimmy Yancey, Meade Lux Lewis, and Amos Milburn... "Music Makin' Mama" Ann Rabson played a considerable role in helping to revive acoustic blues in the post-Stevie Ray Vaughan era, both as a solo artist and with Saffire -- the Uppity Blues Women, the group she co-founded in 1988. Although she's best known as a boogie-woogie pianist, Rabson worked primarily as a guitarist for the first two decades of her music career, and she boasts the rather unique ability to switch from Chicago barrelhouse piano-pounding to Piedmont fingerpicking at the drop of a hat. Rabson's rootsy approach also draws heavily from the styles of female blues singers of the pre-war era, such as Lucille Bogan, Ida Cox, and Bessie Smith. Like her contemporaries Rory Block and Bonnie Raitt, Rabson ranks as an important modern blueswoman who has brought tremendous crossover appeal to the genre... [/spoyler]================================================================   
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