Исполнитель: Ella Fitzgerald
Альбом: These Are The Blues
Год выпуска: 1963
Стиль: Blues Jazz
Формат: flac (image, cue, log)
Битрейт: lossless
Время звучания: 41:45
Размер: 224 mb
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Tracklist:
01.
Jailhouse Blues (Bessie Smith , Clarence Williams) – 5:25
02.
In the Evening (When the Sun Goes Down) (Leroy Carr, Don Raye) – 4:27
03.
See See Rider (Ma Rainey) – 2:39
04.
You Don't Know My Mind (Henry Gray, Virginia Liston, Williams) – 4:49
05.
Trouble in Mind (Richard M. Jones) – 3:31
06.
How Long, How Long Blues (Leroy Carr) – 3:57
07.
Cherry Red (Pete Johnson, Big Joe Turner) – 4:09
08.
Downhearted Blues (Lovie Austin, Alberta Hunter) – 3:08
09.
St. Louis Blues (W.C Handy) – 6:28
10.
Hear Me Talkin' to Ya (Louis Armstrong) – 3:01
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Personnel:
Ella Fitzgerald - Vocals
Roy Eldridge - Trumpet
"Wild" Bill Davis - Organ
Herb Ellis - Guitar
Ray Brown - Bass
Gus Johnson - Drums
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Волшебство от "Элла Фитцджеральд сотоварищи".
Не рекомендуется к прослушиванию людям с неустойчивой психикой.
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Ella Fitzgerald - These Are The Blues]
Волшебство от "Элла Фитцджеральд сотоварищи".Не рекомендуется к прослушиванию людям с неустойчивой психикой. Возможны такие проявления, как :
впадание в транс,
впадание в детство,
впадание в прострацию,
впадание в антропосоциогенез,
сопровождающиеся спонтанным бормотанием (а то и вскриками):
"Этого не может быть!" (как вариант: "Рыть или не рыть", "Брать или не врать", "Крыть или не выть")
"Ма-ма-а! унеси меня" (как вариант: папа, баба, братан, три белых коня)
"Люди! Где я ?" (как вариант: где вы, где мы, где они)
"Ну... За красоту!" (как вариант: за нас, за них, да ну их)
Шутки в сторону, - волшебство от "Элла Фитцджеральд сотоварищи" - слушаем, наслаждаемся...-----------------------------------------------------------
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Roy David Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz" was an American jazz trumpet player. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos and his strong influence on Dizzy Gillespie mark him as one of the most exciting musicians of the swing era and a precursor of bebop...
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Wild Bill Davis - Hammond organ, piano, arranger (November 24, 1918 - 1995), was the top cat among organists prior to the rise of Jimmy Smith in 1956. He could be credited for taking the instrument from the swing era into the R&B infected jazz of the early ‘50’s, and was a pioneer in the organ trio format. He could swing like crazy, grind out dirty blues, or could play in a laid back easy listening style...
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Mitchell Herbert (Herb) Ellis (born August 4, 1921) is an American jazz guitarist. Growing up just outdside of Dallas, Texas, Ellis first heard the electric guitar performed by George Barnes on a radio show. This experience inspired him to take up the guitar, and he became proficient on the instrument by the time he entered North Texas State University as a music major. While in college Ellis heard recordings of Charlie Christian, his main jazz influence. After dropping out of college Ellis spent time on the road with Glen Gray and the Casa Loma Orchestra, Jimmy Dorsey, and Soft Winds...
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Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist. He is considered by many to be one of the masters of his instrument, with an excellent sense of time and had a hard swing feel to his lines..
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Gus Johnson (Born: November 15, 1913 in Tyler, Texas Died: February 6, 2000 in Denver, Colorado) Gus Johnson proved the vital drum impetus for a succession of the most famous names in jazz over a long career in the music. His satisfied employers included Count Basie, Woody Herman, Gerry Mulligan, Ella Fitzgerald and Lena Horne, but his resourceful, swinging style was entirely at home in any setting in which he was featured...
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