Исполнитель: Joe Louis Walker Альбом: Hellfire Год выпуска: 2012 Стиль: Blues Формат: mp3 \ ape (tracks) Битрейт: 320 \ lossless Время звучания: 53:59 Размер файла: 118 mb \ 387 mb ======================================= Tracks: 01. Hellfire 02. I Won't Do That 03. Ride All Night 04. I'm On To You 05. What's It Worth 06. Soldier For Jesus 07. I Know Why 08. Too Drunk To Drive Drunk 09. Black Girls 10. Don't Cry 11. Movin' On ======================================= Personnel: Joe Louis Walker - vocals, guitar, slide guitar, harmonica Rob McNelley - electric guitar Reese Wynans - piano, Hammond b-3 organ Tommy MacDonald - bass Tom Hambridge - drums, percussion =================================================================== Материал предоставил товарищ Larin =================================================================== [spoyler=Joe Louis Walker - Hellfire]
One of the strongest albums in Walker’s canon. Hellfire blows all over the map gutbucket blues, joyous gospel, Rolling Stones-style rock crunch, and aching R&B. Walker’s guitar playing is fine and fierce. Hellfire is a heavenly showcase for Walker’s unduly underappreciated virtues. -- Billboard On Hellfire, Mr. Walker plays jump blues; slow, searing blues, Rolling Stones-style rockin’ blues; electric country blues; Chicago blues and gospel blues. His raspy, powerhouse voice is out front while his stinging guitar cuts through the uncluttered arrangements. -- Wall Street Journal
Hellfire is Walker’s most rock-oriented release. His wah-wah inflected solo on Hellfire digresses with the kind of fierce embellishments that Jimi Hendrix might’ve conjured. The slow-burn What’s it Worth spins ever wilder and wider into outer space with each solo. Walker attacks these songs like the gospel vocalist he once was. His ferocious guitar playing conveys desperation and determination in the face of some pretty heavy moral choices. -- Chicago Tribune
...Joe Louis Walker was born in the Fillmore district of San Francisco on December 25, 1949. By the time he was 16, he was working the local club scene steadily as an in-demand guitar player. When Walker was 19 he befriended famed guitarist Michael Bloomfield. Bloomfield introduced Walker to many of the day's top rockers and helped push Walker's blues into a more rock-fueled direction. The two were close friends until Bloomfield's death in 1981. In 1985 Walker released his debut, Cold Is The Night, on Hightone Records, his first of many outstanding albums. Firmly rooted in blues, gospel, R&B and rock, the album caught the attention of music fans everywhere. Over the course of the next 26 years, with each subsequent release, Walker's audience continued to grow, as his touring schedule continued to expand. He's played major European festivals, including Northsea Jazz Festival, Glastonbury, Notodden and Montreux, as well as festivals in Japan, Australia, Taiwan, Ireland, Turkey and Brazil. He's appeared on national television, including performances on Late Night With Conan O'Brien, The Don Imus Show and Later With Jools Holland in the UK. Fans and critics have been celebrating Walker for years. Living Blues said, "His fretwork is indelibly stamped with his own trademark blend of emotional heat and impeccable precision even at his most flamboyant, Walker sounds as if he's playing ideas, not just notes." The New York Times raved, "Walker is a singer with a Cadillac of a voice. He delivers no-nonsense, gutsy blues. His voice is weather-beaten but ready for more; his guitar solos are fast, wiry and incisive, moaning with bluesy despair..."
Дмитричь, что скажешь - как тебе? я вот смотрю на обложку: как для 63-х лет он очень здорово сохранился)) к слову, рип с пиратки, - чтобы правильно всё было
мне давно интересно...вот смотри: старая генерация, которая только в последнее время начала умирать сплошняком, какой средний возраст? кому за 70, кому за 80 и при этом я оч сильно сомневаюсь, что вели они здоровый образ жизни вот как с этим быть?))
у нас, я знаю, можно найти немало подобных примеров... А потом учти, "здоровая закваска" (без ГМО), и ещё, как я понял, в 75-ом, Джо-Луис лет так на 10 (с гаком) ушел в религию, наверняка жил это время без "посторонних стимуляторов"
А энергетика какая! Пробежался по старым его записям, почти везде, 2-3 вещи просто - чумовые эмоции так и хлешут
у нас - это у кого?)) в плане энергетики Уолкер мне Бадди напоминает, у того последний альбом воообще блюзо-джазо-диско-рокопопсовая феерия жизни...салют и феерверки запускают от начала и до конца ====================================== (жуя губами, шепелявя и старчески тряся головой) а ты помнишь каким был Бадди на "Стоун Крэйзи"...да - Бадди был голова, ему было палец в рот не покласть...да - и Уолкер голова..
не всё так плохо)) хотя, если прикинуть что-то к носу и посмотреть, то кто из негров появился за последнее время, сравнимый по масштабу с теми самыми, всем известными, и которых совсем даже немало, но остаётся их всё меньше как-то даже грустно